Current position: Departments of the Academy: Composition, Conducting and Theory of Music: Chair of Composition
<< back







Chair of Composition


Composition was first taught in Warsaw at the School of Music and Drama (1816). In 1821 Józef Elsner who was also Rector of the Institute of Music and Declamation at the School began to lecture on the theory of music composition. By 1826, 11 students were studying composition, including Fryderyk Chopin. Other well-known composers, e.g., Ignacy Dobrzyński, August Freyer and Tomasz Nidecki, also finished the School.

In 1863 Stanisław Moniuszko began to co-operate with the Music Institute (headed by Apolinary Kątski). He taught counterpoint, composition, harmony and instrumentation. Ten years later (1972) Władysław Żeleński began to teach harmony and counterpoint and in 1888 Zygmunt Noskowski, a former graduate (1863), began to teach counterpoint, composition and orchestra.

The Institute faculty supervised the factual aspects of the teaching - the principal objective of contemporary chairs. Also similar to chairs today, the Warsaw Institute of Music (1888-1903) had a Pedagogical Council (Executive Committee, Executive Department) which offered all specialities. Gustaw Rogulski (harmony, counterpoint), a student of Hector Berlioz, represented composition.

In the nineteen-nineties the Institute boasted such outstanding graduates of composition as: Henryk Melcer, Mikalojus Konstantinas Čiurlionis (a Lithuanian composer), Mieczysław Karłowicz, Ludomir Różycki, Tadeusz Joteyko, Mieczysław Kazuro, Antoni Szałowski and Apolinary Szeluto.

In 1919 the Conservatory of Music was established on force of a decree signed by Józef Piłsudski, Ignacy Jan Paderewski - as Prime Minister, Zenon Przesmycki "Miriam" - as Minister of Culture and Art. Roman Statkowski taught the composition class until his death in 1925. His graduates included: Jan Maklakiewicz, Piotr Perkowski, Kazimierz Wiłkomirski and Jerzy Lefeld. The composition class was then taught by Henryk Melcer, Piotr Rytel, Witold Maliszewski, Karol Szymanowski (who, for a short but seminal period, was director of the Conservatory and later rector of the Higher School of Music), Kazimierz Sikorski, Władysław Raczkowski and Ludomir Różycki. The list of composers who also taught at the Conservatory includes: Jerzy Lefeld, Stanisław Kazuro, Stanisław Niewiadomski, Juliusz Wertheim, Michał Surzyński, Jan Maklakiewicz, Grzegorz Fitelberg, Eugeniusz Morawski and Kazimierz Wiłkomirski. Some of them taught such methodological subjects as instrumentation, counterpoint, score reading, and instrument studies. All in all, this large group was the core of the composition department faculty. It had a decisive voice as far as the shape of the specialisation is concerned, i.e., played a role similar to the role of the present Chair of Composition.

In 1932 the State Conservatory of Music was reorganised and a departmental structure was introduced. Department I comprised two specialities: composition and music theory, and the teaching staff constituted the Faculty Council. Representatives of the Council were members of the Scientific-Artistic Council, the top authority of the whole school. The Faculty Council of Department I was therefore an obvious predecessor of the Chair. Thirty-two composers graduated from the Department at the time including: Grażyna Bacewiczówna, Maria Dziewulska, Jan Ekier, Tomasz Kiesewetter, Stefan Kisielewski, Witold Lutosławski, Jan Adam Maklakiewicz, Artur Malawski, Andrzej Panufnik, Piotr Perkowski and Antoni Szałowski.

After World War II Stanisław Kazuro, composer and teacher, reorganised the Warsaw music school which was named the State Higher School of Music in 1946. The School had four departments and the first one was the Department of Composition, Conducting and Music Theory. In 1957, following a reorganisation, the number of departments increased to six and a number of chairs were also established, including the Chair of Composition headed by Tadeusz Szeligowski. In 1962 the School was given academic status and in 1979 it was renamed the Fryderyk Chopin Academy of Music.

The following professors have headed the Chair of Composition since its establishment in 1957:

Tadeusz Szeligowski (1957-1962),
Piotr Perkowski (1962-1972),
Tadeusz Paciorkiewicz (1972-1977),
Tadeusz Baird (1977-1980),
Zbigniew Rudziński(1980-1981),
Włodzimierz Kotoński (1981-1999),
Marian Borkowski (1999-2004)
Zbigniew Bagiński took over the Chair on 1st October 2004.

The Chair of Composition is an organisational unit of Department I: Composition Conducting and Music Theory and together with the Chair of Conducting it forms the Institute of Composition and Symphony Conducting. It groups eminent Polish composers whose creative work has won them many international successes. The Chair of Composition faculty divide their time between artistic work, research and teaching future composers. The purpose of instruction is to provide students with a comprehensive body of knowledge and skills in the field of composition, with special emphasis on contemporary composing techniques. The Chair of Composition is a place where its members advance their qualifications, perfect their teaching methods, exchange artistic and pedagogical experience with other academies and artistic communities and do research on widely understood methods of composition, forms of musical expression (traditional and contemporary), especially Polish.

The Chair of Composition is responsible for a group of subjects which are taught both at Department I and at other departments such as: Composition, Harmony, Exercises in Harmony, Counterpoint, Instrumentation, Instrument Studies, Score Reading, Contemporary Composition Techniques and Electronic Music.

The following professors have taught composition classes since 1945: Tadeusz Szeligowski, Kazimierz Sikorski, Jan Maklakiewicz, Piotr Rytel, Bolesław Woytowicz, Piotr Perkowski, Tadeusz Baird, Andrzej Dobrowolski, Witold Rudziński, Tadeusz Paciorkiewicz, Włodzimierz Kotoński and - currently - Krzysztof Baculewski, Zbigniew Bagiński, Marcin Błażewicz, Marian Borkowski, Zygmunt Krauze Stanisław Moryto and Zbigniew Rudziński.

In 1990, within the framework of the Chair of Composition, Włodzimierz Kotoński established the Computer Music Studio. In 1999 Marian Borkowski led to the establishment of the following specialist laboratories: Contemporary Composition Techniques (head: Zbigniew Bagiński), Instrumentation and Instrument Studies (Marcin Błażewicz), Polish 20th and 21st Century Music (Alicja Gronau-Osińska) and Counterpoint (Paweł Łukaszewski).

Thanks to Marian Borkowski's initiative the following events have been taking place since 1999:
  • Chair of Composition Concerts (twice a year), documented and published in the form of records, two of which were nominated to the "Fryderyk" award - the Award of the Record Industry (XXIth Century Polish Choral Music, Acte Prealable, AP0100, 2001; Musica Polonica Nova, Warsaw Composers, Acte Prealable, AP0106, AP0107, AP0108, 2004);
  • AMFC Composer Symposia (I - 1999, II - 2001, III - 2003, IV - 2005), presenting composers' ideas and work and then published in the AMFC Press;
  • Polish National Composers' Competitions for Music Academy Students (I - 2003, II - 2004);
  • Concerts of Electro-acoustic Music (at least once a year).
  • The Chair also organises open concerts given by foreign guests from many countries (Japan, Korea, USA, Canada, Germany, Switzerland, Chile, Romania) and Poland, including the Chair of Composition Faculty, and scientific-artistic sessions devoted to the output of outstanding Polish and foreign composers (Kazimierz Sikorski - 1995, Franz Schubert - 1997, Feliks Nowowiejski - 1998, Piotr Perkowski - 2001, Witold Rudziński - 2003). It publishes session proceedings, books on the analysis of contemporary music, composing techniques, the aesthetics of music and the rendering of contemporary music. In 2002 the Chair of Composition began to offer biennial Postgraduate Composition Studies co-ordinated by Marian Borkowski. About 30 composers whose lives and work has been presented in the Almanac of Composers at the Fryderyk Chopin Academy of Music in Warsaw (Ed. A. Gronau-Osińska) now work at the AMFC.

    Composer Concerts organised by the different composition classes and the annual Electro-acoustic Music Concert presenting the work of the Electronic Music Studio are important tests of student progress.

    The Chair of Composition Faculty:
    Zbigniew Bagiński, full professor - head of the Chair
    Marian Borkowski, full professor em., e-mail: borkowski@chopin.edu.pl
    Zbigniew Rudziński, full professor em.
    Stanisław Moryto, full professor
    Krzysztof Baculewski, Dr, associate professor
    Marcin Błażewicz, associate professor
    Zygmunt Krauze, associate professor
    Maria Pokrzywińska, Dr hab., postdoctoral fellow
    Alicja Gronau-Osińska, postdoctoral fellow, e-mail: agronau@wp.pl
    Paweł Łukaszewski, postdoctoral fellow, e-mail: lukaszewski@chopin.edu.pl
    Edward Sielicki, postdoctoral fellow, e-mail: edward.sielicki@gmail.com
    Paweł Buczyński, assistant professor
    Miłosz Bembinow, assistant, e-mail: milosz@bembinow.com
    Aleksander Kościów. assistant, Chair Secretary, e-mail: katedrakompozycji@o2.pl
    Weronika Ratusińska, assistant (Instrumental-Pedagogical Department, Białystok), e-mail: w.ratusinska@op.pl

    Chair collaborators
    Andrzej Dutkiewicz, full professor
    Szabolcs Esztényi, associate professor
    Lucjan Kaszycki, associate professor em.
    Marcin Łukaszewski, Dr, postdoctoral fellow
    Paweł Strzelecki, Dr, postdoctoral fellow
    Katarzyna Szymańska-Stułka, Dr, postdoctoral fellow
    Małgorzata Waszak, Dr, postdoctoral fellow
    Paweł Markuszewski, assistant
    Romuald Twardowski, senior lecturer
    Anna Ignatowicz-Glińska, lecturer
    Krzysztof Czaja M.A.
    Barbara Goniarska M.A.
    Bartosz Kowalski-Banasewicz M.A.
    Emilian Madey M.A.
    Aldona Nawrocka-Woźniak M.A.






    Compiled by: The Fryderyk Chopin Academy of Music